Katherine Tash was one of the earlier shows we attended our first day of Bridal Fashion Week. She showed at a spacious townhouse large enough to accommodate an intimate presentation in the front room and to house her whole family, who had come along to lend their support. Katherine co-presented with her sales director to our small group, most of whom were established client accounts. We were struck by how focused the buyers were by contrast to their willingness to consider newer designs as they had pre-pandemic.
This California designer is known for her invisible corsetry that is skillfully sewn inside the gowns which allows for a curvier bride to comfortably wear her gowns and to appear as if they are not wearing constricting foundational garments underneath. She is very aware of size inclusivity and uses stretch satin and built-in corsets to create designs that flatter a wide range of sizes. She said that her fabric of choice is a silk satin with a pretty sheen, often with some soft rouching details along the bodice. A common theme was a flattering drop “Basque” waist that elongates and slims the torso. Many of her popular gowns feature twist straps that softly skim the body. The “Harlow” gown is another popular option. It features delicate lace detailing on soft tulle and a high neckline with cutaway detailing at the shoulder ending in a soft A-line. This latest model had large organic pearl buttons along the right side, from the bust to the floor.
The overall effect was of a free-spirited Malibu bride which is right in line as the gowns are made in Los Angeles. More than a few gowns featured plunging backs that ended in soft shirring that softened the daring effect. Although many of the gowns on display had a sheen, Catherine also showed a silk satin with a matte finish – a trend we observed later at other showings. For brides who want a more traditional voluminous gown who can afford a higher price point, there was a big Rose taffeta drop waist ball gown that retails for $5870. It is also available in a flattering Warm White shade.
Katherine gamely took on our question about how the latest round of tariffs would affect her pricing. The fact that she makes the gowns in her Santa Monica Atelier helps her pricing, but the challenge lies in her sourcing and buying fabrics abroad. She stated,
“Pricing has been revised inclusive of the new tariffs on the wholesale up to 26% but orders placed before the end of May will be honored at pre-tariff pricing.
On a happier note, she concluded the showing with an Ivory spectacular silk taffeta opera coat that appeared in WWD’s bridal roundup issue. The designer is thinking of making one to wear to a fall wedding in a seasonal fall color. While you may never wear your wedding dress again, this cape is a piece that will instantly elevate any occasion year after year.
-Vivian Kelly ( @thefashionhistorian )
Visit Katherine Tash’s Website: www.katherinetash.com
